Muriel's wedding critical analysis

In Muriel's wedding, the perception of comedian has soon arrived into a melodrama derived by P.J Hogan, as the film covers the low self-esteem Muriel in breaking through the bondages around her family and friends, trespassing from suburban to civilisation. Muriel begins the film as an overweight loser from Queensland, a woman trapped by a dysfunctional family, an apathetic neighbourhood, and a clique of beautiful "best friends." The movie opens with a shot of …

…really owns this picture completely. Whenever the plastic supporting cast is the main focus, the film falls flat. A tacked-on, bittersweet ending doesn't help, either. Reference 1.)http://www.sensesofcinema.com/contents/00/9/symposium.html#2 2.)http://ourworld.cs.com/_ht_a/amanandamouse/abbanaticfolder/murielsweddingfolder/murielswedding.html 3.)http://us.imdb.com/Title?0110598 4.)http://www.geocities.com/Athens/Forum/4657/film/muriel.htm 5.)http://movie-reviews.colossus.net/movies/m/muriels.html 6.)http://www.eng.umu.se/vw2000/Emma/Muriel'sWedding.htm