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"There is no spoon". How the illusion of reality is deconstructed in The Matrix by the codes of cinematography?
In 1999, after projecting the film in the theaters, the audience and many of the critics proclaimed a new era in film making. They were enchanted by its vividness that to some degree creates something which by the majority would be called realism. The aim of this paper is to show how Larry and Andy Wachowski used conventional methods to produce an illusion of reality. The research presented in this essay was inspired by the semiological
of framing, whereas the other is used to speak of the duration of the take (Bordwell and Thompson 241) Works Cited: 1.Andrew, J. Dudley Concepts in Film Theory, Oxford University Press, New York 1984 2.Andrew, J. Dudley The Major Film Theories. An Introduction., Oxford University Press, New York 1976 3.Bordwell, David & Thompson, Kristin Film Art. An Introduction. Sixth Edition, McGraw-Hill Companies Inc., New York 2001 4.Wachowski, Andy & Larry The Matrix, Warner Bros. Pictures & Village Roadshow Pictures 1999